1988
Schjeldahl, Peter. "Daddy Dearest." 7 Days, September 28, 1988, pp. 51-52.
Vogue. "People...books." October 1988.
Heartney, Eleanor. "Out of the Shadows." ARTnews, October 1988.
Walsh, Robert. "Heavy Guston." Vanity Fair, October 1988.
Baker, Kenneth. "A Giant Emerges." San Francisco Chronicle, October 2, 1988, pp. 1, 16, 17.
Gopnik, Adam. "Cyclops." The New Yorker, October 3, 1988, pp. 95–100.
Kilian, Michael. "Guston's Mute Figures Speak to Us." Chicago Tribune, October 6, 1988, section 5, p. 10.
Flam, Jack. "The Gallery: Philip Guston." Wall Street Journal, October 5, 1988.
Sozanski, Edward J. "2 Exhibits Show Provocative Side of Philip Guston." Philadelphia Inquirer, October 19, 1988, p. 5-E.
Corbett, William. "Daddy Dearest." Letters, New Criterion, November 1988, p. 78.
Rand, Archie. "The Victory of the Futile." Arts Magazine, November 1988, pp. 62-66.
Greene, Alison de Lima. "The Artist as Performer: Philip Guston's Early Work." Arts Magazine, November 1988, pp. 55–61.
Feld, Ross. "Guston in Time." Arts Magazine, November 1988, pp. 40-45.
Welish, Marjorie. "I Confess: The Drawings of Philip Guston." Arts Magazine, November 1988, pp. 46–50.
Corbett, William. "'What a Miracle Images Are!'" Arts Magazine, November 1988, pp. 51–54.
Ashton, Dore. "That Is Not What I Meant at All: Why Philip Guston Is Not Postmodern." Arts Magazine, November 1988, pp. 67–71.
Perkins, Michael. "Departed Daemons: Musa Mayer Revists the Night Studio." Woodstock Times, December 1, 1988, section Times 2, pp. 1, 7.
Perkins, Michael. "Deconstructing Dad: Philip Guston's Daughter Reconciles the Man with the Myth." Woodstock Times, December 1, 1988, section Times 2, pp. 1, 6.
Brach, Paul. "Life with the Artist." Journal of Art, 1, December 1988.
Plagens, Peter. "Eyewitness: Night Studio: A Memoir of Philip Guston." Art in America, December 1988, p. 23.
Heartney, Eleanor. "The Drawings of Philip Guston." ARTnews, December 1988, p. 143.
Storr, Robert. "Remembering Philip Guston." Letters, New Criterion, December 1988, p. 79.
Johnston, Jill. "Living on Borrowed Importance." The New York Times Book Review, December 18, 1988.
Eye to Eye: The Camera Remembers: Portrait Photographs by Renate Ponsold. Foreword by Dore Ashton. Afterword by Robert Motherwell. New York: Hudson Hills, 1988.
