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Hastings Center Report. "The Mind-Body-Computer Problem: Ethical Questions of Neurotechnologies." November–December 2015.
Prisant, Carol. "Maestro of the Mix." Elle Decor, November 2015, pp. 217-223.
Art Newspaper. "Artist Moves." November 2015, section 2, p. 6.
Sillman, Amy. "Shit Happens". Frieze, November 10, 2015. Online.
Hauser & Wirth 7. "Philip Guston: The Hands of Clocks." Winter 2015.
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Lisa Yuskavage: The Brood: Paintings 1991-2015. Exh. cat. New York: Skira Rizzoli, 2015.
Glenn Ligon: Encounters and Collisions. Exh. cat. Nottingham: Nottingham Contemporary, 2015.
The Essential Guide: Art Institute of Chicago. 4th edition. Chicago: Art Institute of Chicago, 2015.
The Artist Project: Why John Baldessari thinks Philip Guston's "Stationary Figure" is courageous. New York: Metropolitan Museum of Art, 2015. Video.
For Bill, ANYTHING: Images and Text for Bill Berkson. Brooklyn: Pressed Wafer, 2015.
In the Studio: Paintings. Exh. cat. New York: Gagosian Gallery, 2015.
Looking Back: 45 Years. Exh. cat. San Francisco: John Berggruen Gallery, 2015.
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The Ceramic Presence in Modern Art: Selections from the Linda Leonard Schlenger Collection and the Yale University Art Gallery. New Haven: Yale University Art Gallery, 2015.
Painting 2.0: Expression in the Information Age. Exh. cat. Munich: Prestel, 2015.
The Shadow of the Avant-Garde: Rousseau and the Forgotten Masters. Exh. cat. Ostfildern: Hatje Cantz Verlag, 2015.
Baker, Simon. George Condo: Painting Reconfigured. London: Thames & Hudson, 2015.
Museumsglück: Erwerbungen für die Staatliche Graphische Sammlung München Seit 1991. Munich: Staatliche Graphische Sammlung München, 2015.
Better than deKooning. Exh. cat. Cologne: Snoeck, 2015.
Zeitler, Kurt, ed. Linien—Musik des Sichtbaren: Festschrift für Michael Semff. Berlin: Deutscher Kunstverlag, 2015.
Fineberg, Jonathan. Modern Art at the Border of Mind and Brain. Lincoln: University of Nebraska Press, 2015.