1980-1989
Schwabsky, Barry. "'The Real Situation:' Philip Guston and Mark Rothko at the End of the Sixties." Arts Magazine, December 1986.
Larson, Kay. "The Met Goes Modern: Bill Lieberman's Brave New Wing." New York, December 15, 1986, pp. 40–48.
Gopnik, Adam. "The Genius of George Herriman." New York Review of Books, December 18, 1986, pp. 19–28.
Thaw, Eugene Victor. "The Abstract Expressionists." The Metropolitan Museum of Art Bulletin, Winter 1986–1987.
Vishny, Michele. "On The Walls: Murals by Ben Shahn, Philip Guston, and Seymour Fogel for the Social Security Building, Washington D.C." Arts, March 1987, pp. 40-43.
Lieberman, Richard K., and Cathy Gross Thompson. "Art Watch." New York, March 30, 1987.
Tikkun, [Article title unknown]. April/June 1987.
Storr, Robert. "Philip Guston: Une Nouvelle Figuration." Art Press, October 1987.
Yau, John. "Philip Guston." Artforum, January 1988.
Ashton, Dore. "Impassioned Quest." Art International, Winter 1988, pp.101–3.
Gazette des Beaux-Arts: La Chronique des Arts. "Principales Acquisitions des Musées en 1987." March 1988.
Moser, Joann. "Forum: Philip Guston's 'Hovering.'" Drawing, March–April 1988, p. 132.
Kent, Sarah. "Saatchi's Showcase." Time Out, May 1988.
Greene, Alison de Lima. "Twentieth-Century Art in the Museum Collection: Direction and Diversity." The Museum of Fine Arts, Houston Bulletin, Summer 1988.
Auty, Giles. "Polke in the Eye." Spectator (London), August 6, 1988, pp. 39–40.
Solomon, Deborah. "Daddy Dearest." Books, New Criterion, September 1988, pp. 72–75.
New York. "Art." September 12, 1988, p. 64.
Larson, Kay. "Waiting for the Light." New York Magazine, September 26, 1988, pp. 118, 120.
McGuigan, Cathleen. "Night Studio." Newsweek, September 26, 1988. Print.
Schjeldahl, Peter. "Daddy Dearest." 7 Days, September 28, 1988, pp. 51-52.
Heartney, Eleanor. "Out of the Shadows." ARTnews, October 1988.
Walsh, Robert. "Heavy Guston." Vanity Fair, October 1988.
Vogue. "People...books." October 1988.
Gopnik, Adam. "Cyclops." The New Yorker, October 3, 1988, pp. 95–100.
