Guston, Philip. I Paint What I Want To See. Penguin Classics, 2022.
Emelife, Aindrea. A Brief History of Protest Art. London: Tate, 2022.
Dohoney, Ryan. Morton Feldman: Friendship and Mourning in the New York Avant-Garde. New York: Bloomsbury Academic, 2022.
Hirshhorn Museum and Sculpture Garden: The Collection. Washington DC: Hirshhorn Museum and Sculpture Garden, 2022.
Erpf, Rosemary Cohane. Painting in the 1980s: Reimagining the Medium. Bristol and Chicago: Intellect, 2022.
Philip Guston. Lyon: FAGE éditions, 2022.
Bertrand, Stéphanie. Contemporary Curating, Artistic Reference and Public Reception: Reconsidering Inclusion, Transparency and Mediation in Exhibition Making Practice. Abingdon-on-Thames: Routledge, 2022.
Feld, Ross. Guston In Time: Remembering Philip Guston. New York: Counterpoint, 2003. Reprint, New York: New York Review of Books, 2022.
Coleção Berardo 1909-2019. Lisbon: Museu Coleção Berardo, 2022.
Taylor, Brandon. Make It Modern: A History of Art in the 20th Century. New Haven: Yale University Press, 2022.
Blalock, Lucas. Why must the mounted messenger be mounted? Objektiv #26, 2022.
Lang, Karen. "Philip Guston: Painting as Ruin." In Thinking Through Ruins: Genealogies, Functions, and Interpretations. Berlin: Kulturverlag Kadmos Berlin, 2022.
Karolina Jabłońska: Zmyślona historia. Warsaw: Raster Gallery, 2022.