Catalogue Raisonné
P70.006
Oil on canvas
66 x 80 in.
167.6 x 203.2 cm
Signed front lower right: Philip Guston
- Provenance
- Private Collection
- Exhibitions
- Marlborough Gallery, New York, NY, "Philip Guston Recent Paintings", October 17, 1970 - November 07, 1970
- Boston University Art Gallery, Boston, MA, "New Paintings, Philip Guston", November 14, 1970 - December 13, 1970
- La Jolla Museum of Contemporary Art, La Jolla, CA, "Philip Guston: Recent Work", July 31, 1971 - October 03, 1971
- McKee Gallery, New York, NY, "Fall Group Show", September 19, 2014 - November 01, 2014
- Bibliography
- Rosenberg, Harold. "Liberation from Detachment." The New Yorker, November 7, 1970, pp. 136–41, mentioned in text pp. 138 and 139, not illus.
- Philip Guston. Exh. cat. New York: Marlborough Gallery, 1970, cat. no. 16, illus. in b&w p. 19
- Philip Guston: Recent Work. Exh. brochure. La Jolla: La Jolla Museum of Contemporary Art, 1971, cat. no. 16, not illus.
- Pfeiffer, Ingrid, and Max Hollein, eds. Philip Guston Das Grosse Spatwerk/Late Works. Exh. cat. Cologne: Strzeleckibooks, 2013, illus. in color fig. 3 p. 76 (Harold Falckenberg essay) and mentioned in text p. 76 (English)/79 (German)
- Hauser & Wirth at Art Basel 2017. Zurich: Hauser & Wirth, 2017, illus. in color (no page #)
- Elliott, David. "The Unstoppable Paintings of Philip Guston." Border Crossings, November 2020, pp. 48-55, mentioned in text p. 50, not illus.
- Storr, Robert. Philip Guston: A Life Spent Painting. London: Laurence King Publishing, 2020, illus. in b&w p. 319 as part of an installation photo
- Slifkin, Robert. "Ugly Feelings: Robert Slifkin on Philip Guston and white privilege." Artforum, January/February 2021, pp. 112-117, illus. in color p. 112 and mentioned in text p. 113
- Kim, Miyoung. "뉴욕 Hauser & Wirth 갤러리의 "Philip Guston, 1969–1979" 展. ArtKoreaTV (Seoul), April 2, 2021. Online, illus. in color
-
Draw Them In, Paint Them Out: Trenton Doyle Hancock Confronts Philip Guston. Exh. cat. New Haven and London: Yale University Press, 2024.
, illus. in color pp. 64-65
