Catalogue Raisonné
P79.005
Oil on canvas
68 x 88½ in.
172.7 x 224.8 cm
Unsigned, undated; inscribed on reverse: PHILIP GUSTON/ "GROUP IN SEA" [underlined] '79/ 68 x 88 1/2/ OIL ON CANVAS
- Provenance
- Private Collection
- Private Collection New York
- Exhibitions
- National Gallery of Victoria, Melbourne, Australia, "Philip Guston: The Late Works", August 17, 1984 - September 16, 1984 Travelled to:
- Greenville County Museum of Art, Greenville, SC, "Philip Guston", February 11, 1986 - April 06, 1986 Travelled to:
- Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, "Philip Guston: Retrospectiva de Pintura", March 01, 1989 - May 08, 1989 Travelled to:
- Modern Art Museum of Fort Worth, Fort Worth, TX, "Philip Guston Retrospective", March 30, 2003 - June 08, 2003 Travelled to:
- Gallerie dell'Accademia, Venice, Italy, "Philip Guston and the Poets", May 10, 2017 - September 03, 2017
- Bibliography
- Philip Guston: The Late Works. Exh. cat. Melbourne: The National Gallery of Victoria, 1984, cat. no. 33, illus. in color p. 48
- Storr, Robert. Philip Guston. New York: Abbeville Modern Masters, 1986, illus. in color no. 71 p. 73
- Philip Guston. Exh. cat. Greenville: Greenville County Museum of Art, 1986, illus. in color (no page #)
- Philip Guston: Retrospectiva de Pintura. Exh. cat. Essays by Mark Rosenthal, Robert Storr, Carrie Rickey, Francisco Calvo Serraller, and Dore Ashton. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, Centro Nacional de Exposiciones, 1989, cat. no. 67, illus. in color p. 143
- Ashton, Dore. A Critical Study of Philip Guston. Berkeley: University of California Press, 1990, illus. in color plate XIII (unpaginated) and mentioned in text p. 188
- Kovner, Abba. Scrolls of Testimony. Jerusalem: Bialik Institute, 1993, illus. in b&w p. 161
- Picasso, Guston, Miro, de Kooning: In vollkommener Freiheit. Exh. cat. Bremen: Neues Museum Weserberg Bremen, 1996, mentioned in text p. 102, not illus.
- DeLong, Lea Rosson. Shifting Visions O'Keeffe Guston Richter. Exh. cat. Des Moines: Des Moines Art Center, 1998, mentioned in text p. 49, not illus.
- Auping, Michael. Modern Art Museum of Fort Worth, Philip Guston Retrospective. Exh. cat. London: Thames & Hudson, 2003, illus. in color Plate 126, unpaginated
- Rainbird, Sean, ed.. Max Beckmann. Exh. cat. London: Tate Publishing, 2003, mentioned in text p. 41 as "Group at Sea", not illus.
- Feld, Ross. Guston in Time: Remembering Philip Guston. New York: Counterpoint, 2003, illus. in b&w (no page #) and mentioned in text p. 60
- Feld, Ross. Erinnerungen an Philip Guston Mit dem Briefwechsel zwischen Feld und Guston. Kippenheim-Schmieheim: Verlag Kurt Liebig, 2003, illus. in color p. 67
- Lubbock, Tom. "Driven from abstraction." Independent (London), January 27, 2004, pp. 54-55, mentioned in text p. 55, not illus.
- Philip Guston: Odd Man Out. BBC Four, January 28, 2004. Television, details illus. in color
- Heller, Michael. "Philip Guston." Chicago Review 49, no. 3–4 (2004), pp. 402-405, mentioned in text p. 403, not illus.
- Zaller, Robert. "The Abandoned Studio: Philip Guston's Gnostic Testament." Boulevard 20, no. 2-3 (2005): pp. 100–18, mentioned in text p. 114, not illus.
- Posnock, Ross. Philip Roth's Rude Truth: The Art of Immaturity. Princeton: Princeton University, 2006, mentioned in text p. 244, not illus., listed as "Group at Sea" in index (but correctly in text)
- Bucklow, Christopher. What Is in the Dwat: The Universe of Guston's Final Decade. Grasmere, England: Wordsworth Trust, 2007, Plate 47, illus. in color p. 192 and mentioned in text p. 80
- Miller, Peter Benson. "Rotten With Stories." Apollo (London), June 2013, mentioned in text
- Miller, Peter Benson, ed. Go Figure! New Perspectives on Guston. New York: American Academy in Rome; New York Review of Books, 2014, mentioned in text as "Group at Sea" p. 80, not illus.
- Philip Guston, "Group in Sea." RNA 21, no. 4 (2015). Cover illustration, illus. in color on cover
- Zambon, Martina. "Guston: Alle Gallerie dell'Accademia omaggio al pittore statunitense, tra informale e influenze italiane." Corriere del Veneto, May 9, 2017, mentioned in text, not illus.
- Wullschläger, Jackie. "Star-spangled biennale: Americans shine in Venice." Financial Times (London), May 12, 2017, section Visual Arts. Online, mentioned in text as "Sea Group," not illus.
- Wullschläger, Jackie. "Star-spangled biennale: Americans shine in Venice." Financial Times (London), May 13/14, 2017, section Arts, p. 12, mentioned in text as "Sea Group," not illus.
- Cotter, Holland. "Venice Biennale: Whose Reflection Do You See?" The New York Times, May 22, 2017, section Art & Design. Online, illus. in color as part of an installation photo
- Philip Guston & The Poets. Exh. cat. Essay by Kosme de Barañano. Hauser & Wirth, 2017, illus. in color p. 88
- Thomas, Elly. Play and the Artist's Creative Process. New York: Routledge, 2019, mentioned in text p. 49, not illus.
- Cooper, Harry, Mark Godfrey, Alison de Lima Greene, and Kate Nesin. Philip Guston Now. Exh. cat. Washington D.C.: National Gallery of Art, 2020, mentioned in text p. 200, not illus.
- Storr, Robert. Philip Guston: A Life Spent Painting. London: Laurence King Publishing, 2020, mentioned in text p. 197, not illus.
- Storr, Robert. Writings on Art: 1980-2005. London: HENI, 2020, mentioned in text as "Group at Sea" p. 510, not illus.
- Dohoney, Ryan. Morton Feldman: Friendship and Mourning in the New York Avant-Garde. New York: Bloomsbury Academic, 2022, mentioned in text pp. 167 and 169, not illus.
- Feld, Ross. Guston In Time: Remembering Philip Guston. New York: Counterpoint, 2003. Reprint, New York: New York Review of Books, 2022, illus. in color (no page #) and mentioned in text p. 56