Catalogue Raisonné
- Provenance
- Private Collection, New York
- Auction: Christie's, New York, Post-War and Contemporary Art Evening Sale, November 8, 2005, Lot 35
- Edward R. Broida
- Mr. and Mrs. Ben Heller, New York
- Exhibitions
- Egan Gallery, New York, NY, "Philip Guston Paintings and Drawings", January 12, 1953 - February 07, 1953
- Solomon R. Guggenheim Museum, New York, NY, "Younger American Painters", May 12, 1954 - July 25, 1954
- Sidney Janis Gallery, New York, NY, "Recent Paintings Philip Guston", February 06, 1956 - March 03, 1956
- Mead Art Museum, Amherst, MA, "The 1913 Armory Show in Retrospect", February 17, 1958 - March 17, 1958
- Whitney Museum of American Art, New York, NY, "The Museum and Its Friends, Twentieth-Century American Art from Collections of the Friends of the Whitney Museum", April 30, 1958 - June 15, 1958
- The Art Institute of Chicago, Chicago, IL, "The Ben Heller Collection of Paintings of the School of New York", September 22, 1961 - October 22, 1961 Travelled to:
- The Metropolitan Museum of Art, New York, NY, "New York Painting and Sculpture 1940-1970", October 18, 1969 - February 01, 1970
- David McKee Gallery, New York, NY, "A Tribute to Philip Guston: Paintings and Drawings from 1950 to 1980", October 11, 1980 - November 12, 1980
- Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, "Philip Guston: Retrospectiva de Pintura", March 01, 1989 - May 08, 1989 Travelled to:
- Orlando Museum of Art, Orlando, FL, "The Edward R. Broida Collection: A Selection of Works", March 12, 1998 - June 21, 1998
- Kunstmuseum Bonn, Bonn, Germany, "Philip Guston: Gemälde 1947 - 1979", September 02, 1999 - November 01, 1999 Travelled to:
- Modern Art Museum of Fort Worth, Fort Worth, TX, "Philip Guston Retrospective", March 30, 2003 - June 08, 2003 Travelled to:
- Bibliography
- Hunter, Sam. "Guggenheim Sampler." Art Digest, May 15, 1954, pp. 8-9, 31, mentioned in text p. 9 as "Painting #1", not illus.
- "From Younger American Painters, an Exhibition at the Guggenheim Museum, New York, May 12–July 31." College Art Journal 13, no. 4 (1954): p. 318, illus. in b&w p. 318, listed as "Painting # 1, 1954"
- Younger American Painters: A Selection. Exh. cat. New York: The Solomon R. Guggenheim Museum, 1954, cat. no. 23, illus. in b&w, listed as "Painting #1", 1954
- The 1913 Armory Show in Retrospect. Exh. cat. Amherst: Amherst College, 1958, not illus., shown as part of a contemporary artists show
- The Museum and its Friends: Twentieth-century American Art from Collections of the Friends of the Whitney Museum. Exh. cat. New York: Whitney Museum of American Art, 1958, cat. no. 67, illus. in b&w p. 48
- Ashton, Dore. Philip Guston. New York: Grove, 1960, illus. in color p. 21, plate 3
- Alloway, Lawrence. "Book Reviews: Ashton on Guston." Arts Review, July 23–August 12, 1961, pp. 17, 20, mentioned in text p. 17, not illus.
- The Collection of Mr. and Mrs. Ben Heller. Exh. cat. New York: The Museum of Modern Art, 1961, unnumbered catalog, illus. in b&w p. 28, shown as "Zone", mentioned in text p. 9
- Berkson, Bill. "Art Chronicle." Kulchur, Autumn 1962, pp. 30–40, mentioned in text p. 37, not illus.
- Berkson, William. "Philip Guston: A New Emphasis: In These Canvases of the Sixties Doubt Itself Becomes a Form That Can Be Read as Natural Law." Arts Magazine, February 1966, pp. 15–18, mentioned in text, not illus., listed as being from 1953-54
- Geldzahler, Henry. New York Painting and Sculpture: 1940–1970. Exh. cat. New York: The Metropolitan Museum of Art, 1969, cat. no. 112 illus. in b&w p. 171
- Moritz, Charles, ed. Current Biography, February 1971, pp. 10-13, mentioned in text p. 12, not illus.
- Sandler, Irving. The Triumph of American Painting: A History of Abstract Expressionism. New York: Harper & Row, Icon Editions, 1976, illus. in b&w fig. 19-32 and mentioned in text p. 264
- Ashton, Dore. Yes, but... A Critical Study of Philip Guston. New York: Viking, 1976, illus. in b&w p. 107
- Coolidge, Clark. "Clark Coolidge Class 1." Naropa Institute Jack Kerouac School of Disembodied Poetics, Boulder, July 1, 1980, Audio recording, mentioned
- Kachur, Lewis. "Philip Guston." Arts Magazine, January 1981, p. 9, mentioned in text, not illus.
- Storr, Robert. Philip Guston. New York: Abbeville Modern Masters, 1986, illus. in color no. 28 p. 33
- Arnason, H. H. History of Modern Art. 3rd ed. New York: Harry N. Abrams, 1986, illus. in b&w fig. 591 p. 394
- Zaller, Robert. "Philip Guston and the Crisis of the Image." Critical Inquiry 14, no. 1 (1987): pp. 69–94, illus. in b&w Fig. 4 p. 77, mentioned in text p. 75
- Mayer, Musa. Night Studio: A Memoir of Philip Guston by His Daughter. New York: Alfred A. Knopf, 1988, mentioned in text p. 63, not illus.
- Serraller, F. Calvo. "Abierta en Madrid una retrospectiva de Guston: En Centro Reina Sofia expone 70 obras del artista que paso del expresionismo abstracto a la figuracion." El País (Madrid), March 2, 1989, mentioned in text, not illus.
- Ruiz de Eguino, Iñaki Moreno. "La primera retrospectiva europea de Philip Guston, en Madrid." Diario Vasco (San Sebastián), March 11, 1989, mentioned in text, not illus.
- Brandenburg, John. "Seeing Guston's Art Requires a 'Leap' to Dallas." Oklahoman (Oklahoma City, OK), December 24, 1989, section Travel & Entertainment, p. 4, mentioned in text, not illus., incorrectly listed as being from mid-1940s
- Tyson, Janet. "Autobiographical side paints life of struggle." Fort Worth Star-Telegram, December 28, 1989, section Four, pp. 1, 7, mentioned in text, not illus.
- Philip Guston: Retrospectiva de Pintura. Exh. cat. Essays by Mark Rosenthal, Robert Storr, Carrie Rickey, Francisco Calvo Serraller, and Dore Ashton. Madrid: Ministerio de Cultura, Dirección General de Bellas Artes y Archivos, Centro Nacional de Exposiciones, 1989, cat. no. 10, illus. in color p. 41
- Mayer, Musa. Night Studio: A Memoir of Philip Guston by His Daughter. 1988. Reprint, New York: Penguin, 1990, mentioned in text p. 63, not illus.
- Ashton, Dore. A Critical Study of Philip Guston. Berkeley: University of California Press, 1990, illus. in b&w p. 107
- Mayer, Musa. "Under the Influence." Mirabella, March 1991, pp. 140-144, mentioned in text p. 142, not illus.
- Mayer, Musa. Night Studio: A Memoir of Philip Guston. 1988. Reprint, London: Thames and Hudson, 1991, mentioned in text p. 63, not illus.
- Unger, Miles. "Philip Guston: Wrestling with the Past." Art New England, December 1994–January 1995, pp. 32–34, 71, mentioned in text p. 33, not illus.
-
Mayer, Musa. Night Studio: A Memoir of Philip Guston. Reprint, Boston: Da Capo Press, 1997.
, mentioned in text p. 63, not illus. - American Visions. "Program 8: 1970–Present." Written and presented by Robert Hughes. BBC, Planet 24 Productions, Time, WNET Channel 13 New York, 1997. Television documentary series.
- Arnason, H. H., and Marla F. Prather. History of Modern Art. 4th ed. New York: Harry N. Abrams, 1998, illus. in color fig. 243 p. 455
- The Edward R. Broida Collection: A Selection of Works. Exh. cat. Orlando: Orlando Museum of Art, 1998, illus. in color p. 71
- Haase, Amine. "Die Gewalt der lesbaren Bilder: Spektakulär Deutschland-Premiere des amerikanischen Malers Philip Guston." Kölner Stadt-Anzeiger (Cologne), September 2, 1999, mentioned in text, not illus.
- Anfam, David. "Bonn, Philip Guston." Burlington Magazine, December 1999, pp. 767-78, mentioned in text p. 767, not illus.
- Schreier, Christoph, Michael Auping, and Martin Hentschel. Philip Guston: Gemalde 1947–1979. Exh. cat. Ostfildern: Hatje Cantz Verlag, 1999, unnumbered catalog, illus. in color p. 70
- Cena, Olivier. "Sous l'ombre de Satan." Télérama (Paris), September 27, 2000, p. 96, mentioned in text, not illus.
- Gignoux, Sabine. "Guston, pinceau au poing." La Croix (Paris), September 28, 2000, section Culture, p. 20, mentioned in text, not illus.
- Philip Guston Tableaux / Paintings 1947 - 1979. Exh. cat. Ostfildern: Hatje Cantz Publishers, 2000, illus. in color p. 70 and mentioned in text pp. 11, 12, 17, 37, 49-50
- Philip Guston Peintures 1947-1979. Exh. brochure. Paris: Centre Pompidou, 2000, mentioned in text, not illus.
- Ottinger, Didier, and Philip Roth. Philip Guston: Peintures 1947–1979. Exh. cat. Paris: Centre Georges Pompidou, 2000, illus. in color p. 53
- Anfam, David. "Telling Tales: Philip Guston in Retrospect." Artforum International, May 2003, pp. 132–39, 192, illus. in color p. 136
- Lawrence, James. "Philip Guston. Fort Worth and New York." Burlington Magazine 145, no. 1207 (2003): pp. 746–48, mentioned in text p. 748, not illus.
- USA Today (West Babylon, NY). "Philip Guston: Abstract Expressionism's Provocative Pioneer and Ultimate Critic." November 1, 2003, mentioned in text
- Minthorn, David. "Exhibit Honors Acclaimed Guston." Star-Gazette (Elmira, NY), November 2, 2003, mentioned in text, not illus.
- Auping, Michael. Modern Art Museum of Fort Worth, Philip Guston Retrospective. Exh. cat. London: Thames & Hudson, 2003, illus. in color Plate 36, unpaginated (but would be p. 135) and illus. in b&w, Figure 7, p. 43, mentioned in text pp. 42-43 (Michael Auping essay)
- Lambirth, Andrew. "Apocalyptic Vision." Spectator (London), January 24, 2004, p. 36, mentioned in text, not illus.
- Philip Guston: Odd Man Out. BBC Four, January 28, 2004. Television, illus. in color
- Melandri, Lisa, and Michael R. Taylor. Enigma Variations: Philip Guston and Giorgio de Chirico. Exh. cat. Santa Monica: Santa Monica Museum of Art, 2006, illus. in b&w Fig. 24 p. 27
- Botelho, Manuel. Guston em contexto: até ao regresso da figura. Lisbon: Livros Vendaval, 2007, illus. in b&w p. 95 and mentioned in text p. 99
- Fineman, Mia. "Drawn-Out Process: Philip Guston's Brave Evolution from Abstract Expressionist to Comics-Inspired Draftsman." Slate Magazine, May 14, 2008. Online., mentioned in text, not illus.
- Miller, Peter Benson, ed. Philip Guston Roma. Exh. cat. Ostfildern: Hatje Cantz Verlag, 2010, illus. in color p. 26, Fig. 3 and mentioned in text p. 26 (Peter Benson Miller essay)
- Pfeiffer, Ingrid, and Max Hollein, eds. Philip Guston Das Grosse Spatwerk/Late Works. Exh. cat. Cologne: Strzeleckibooks, 2013, mentioned in text p. 142 (English)/143 (German), not illus.
- Miller, Peter Benson, ed. Go Figure! New Perspectives on Guston. New York: American Academy in Rome; New York Review of Books, 2014, mentioned in text pp. 11 and 130, listed as being from 1953-54
- Storr, Robert. "Philip Guston: Hilarious and Horrifying." New York Review of Books, March 8, 2015. Online, mentioned in text, not illus., listed as being from 1953-54
- Hauser & Wirth 7. "Philip Guston: The Hands of Clocks." Winter 2015, pp. 24-35, mentioned in text p. 33, not illus.
- Mayer, Musa. Night Studio: A Memoir of Philip Guston. 1988. Reprint, Munich: Sieveking Verlag; Zurich: Hauser & Wirth, 2016, mentioned in text p. 94, not illus.
- Wilson, Rachael M. "Singular Collaborations: Figures of Disjunction in Verbal-Visual Poetics." PhD diss., New York University, 2016, mentioned in text p. 165 n. 20, not illus.
- Wilson, Rachael. "Collocations on the plane: Clark Coolidge and Philip Guston's Poem-Pictures." Textual Practice 32, April 18, 2017, mentioned in text p. 4, not illus.
- Mayer, Musa. Night Studio: Un ritratto intimo di Philip Guston. Monza: Johan & Levi, 2017, mentioned in text p. 79, not illus.
- Wilson, Rachael. "Collocations on the plane: Clark Coolidge and Philip Guston's Poem-Pictures." Textual Practice 32, no. 8, October 2018. Reprint, Hudson, NY: Periodicals Service Company, 2020, pp. 1425-1450, mentioned in text p. 1428, not illus.
- Arn, Jackson. "Why AbEx Painter Philip Guston's Return to Figuration Enraged the Art World." Artsy, October 10, 2018. Online, mentioned in text, not illus.
- Thomas, Elly. Play and the Artist's Creative Process. New York: Routledge, 2019, mentioned in text p. 67, not illus.
- Miller, Peter Benson. Encounters I. Exh. cat. Rome: American Academy in Rome, 2019, mentioned in text p. 6, not illus.
- Storr, Robert. Philip Guston: A Life Spent Painting. London: Laurence King Publishing, 2020, No. 43 illus. in color p. 57 and mentioned in text p. 52
- Mayer, Musa. Night Studio: A Memoir of Philip Guston. 1988. Reprint, Zurich: Hauser & Wirth, 2023, mentioned in text p. 94, not illus.